And my Robert Moses counter increments up yet again!
26 March 2026 14:21Truly, people will never, ever stop complaining about the man.
Also on reddit: "This is an old book" but also "snapchat was mentioned". Uh....
( Read more... )
I've seen occasional confusion from people over the last few weeks "Why is it so cold, isn't it Spring now?" - and I thought I should say a bit about one of the major causes that I almost never hear people talk about - the polar vortex.
This is a swirling wind around the Arctic that exists for basically the whole arctic night. One of the things it does is keep the freezing polar winds from coming further south in to Europe. But when it finally collapses in the Spring, it finally allows those winds out, and you get a sudden burst of cold air as all of that freezing weather escapes down to us.
Normally this happens some time in late February, but this year the collapse seems to have been a month later.
The other major factor is largely down to circulating high pressure areas (imagine slow large hurricane shaped wind "objects") that constantly move around the North Atlantic. Put one of these off of the west coast of Ireland, going clockwise, and it will pull air down from the North even further/faster. See this short video I took from the NullSchool site (my favourite wind visualisation site). In it you can see cold winds pouring down from the North Pole, funneled further by the circulation. And if you click on the link there you can see that currently the wind is instead being pulled off of the Altantic, where it's a few degrees colder.

If you'd like to read more, then this is quite good.
(And apologies to anyone who actually knows anything about the weather for any appalling mistakes I've made.)
Unless someone takes a picture and posts it on the internet, of course - and what are the odds of that?
Heheheh.
Heh.
Heh.
Hoo! Yeah. Good stuff.
Hey, maybe if we get a mirror!
Oh. Wait...
Don't worry, "Jett" - those poo-bats are so disturbing, no one will care whose cake this used to be.
How to make Al feel special:
AFTERTHOUGHTS:
Technically they're still thoughts, and that's what counts.
And finally, how to totally freak out your boyfriend:
(No, this wasn't intentional. And yes, that's the store "fix.")
I can tell you that Isaiah was probably never happier to see a Cake Wreck in his entire life, though.
Andrea B., Michelle V., LG, Sharon H., & Ashley, you've gotta admit: that would be a great way to break the news. Much better than, say, putting the used pregnancy test stick on the cake.
******
P.S. My "related searches" kind of got away from me today, but I think you'll approve:
"Hiss" Punny Cats Parody T-Shirt
Lots more colors and shirt styles available at the link.
*****
And from my other blog, Epbot:

War is hell. But war is also geometry. And geometry can be quite beautiful. Prime examples of that disturbing paradox are the so-called star forts that proliferated throughout Renaissance Europe.
Seen from above, these bastioned fortifications resemble elaborate ornamental diagrams, or perhaps even sacred mandalas. Yet their snowflake-like beauty was unintended. These were machines of war, developed from a mathematical attempt to solve a practical military problem: how to defend an army or a city from enemy artillery.
Foundational to fortification theory was Jean Errard’s 1594 treatise La fortification réduicte en art et démonstrée, in which the French mathematician and engineer used geometry to formalize military architecture, helping to transform fort-building from a traditional craft into a discipline grounded in mathematics.
The resulting star forts (so called because of their multiple fortified extrusions) solved a technological crisis. Medieval fortresses, built to withstand ladders, catapults, and siege engines, were no match for gunpowder-powered artillery, the 15th century’s major military innovation. A cannon could easily take out vertical masonry walls that had stood unconquered for centuries.
Military engineers resorted to building lower, thicker ramparts, backed by earth, and sought to eliminate blind spots by building angular bastions — the aforementioned extrusions. Star fortifications started in Italy, were perfected in France (especially by the prolific Vauban), and dominated the European military scene for the entire 17th and 18th centuries, giving Europe’s strategic cities and landscapes a distinctive architectural look.
Despite their sophistication, star forts eventually became obsolete, undone by the very problem they once solved. Technological advances such as explosive shells and rifled cannon greatly increased the range and destructive power of artillery, rendering their ramparts increasingly ineffective. Additionally, military strategy shifted away from static defenses toward highly mobile field armies.
By the 19th century, star forts had lost their military purpose. Many were dismantled to let the cities they once protected grow beyond their historic walls. Ironically, once relieved from their purely militaristic duties, star forts revealed their aesthetic value. That is why many of these geometric landscape features were eventually preserved as monuments or converted into parks.
While the star fort’s aesthetic appeal is immaterial to its (erstwhile) military purpose, its beauty is not mysterious or accidental: It arises precisely from its strict adherence to geometric logic. Symmetry, repetition, and radial balance are powerfully pleasing principles in human perception. When military engineers pursued these features for practical purposes, they inadvertently produced structures that resonate with the same mathematical harmony as other Renaissance art and architecture.
We’re no longer designing star forts, but accidental beauty still emerges from rational design, be it airplanes, designed to be aerodynamic; bridges, engineered to last; and even digital networks, built for efficiency. When we optimize structures for functionality, the resulting forms often exhibit unexpected elegance.
Or, to summarize that in the fewest words possible: beauty is an emergent property of rational design. No-nonsense military builders like Errard and his ilk would no doubt have appreciated the pithiness of the phrase.
Strange Maps #1286
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This article Militarized snowflakes: The accidental beauty of Renaissance star forts is featured on Big Think.
We are pleas'd to announce the publickation today of Choices: Taking Decisions (Clorinda Cathcart's Circle, #25), in elecktronical form and as a pretty bound volume:
A Parliamentary election causes considerable upheaval to the summer plans of Society in general, and of Clorinda and her circle. But besides any choices concerning the government of the nation, several of them find that they have to make decisions touching on more personal matters.
It is anticipat'd that the work will shortly be available via Overdrive for libraries.
The usual notes on Allusions and References have been provid'd.
